Amanda Seyfried’s 18th-Century Cult Musical ‘The Testament of Ann Lee’ Has to Be Seen to Be Believed
Mona Fastvold and Brady Corbet’s return to the Venice Film Festival competition line-up was always going to be eventful. Just last year, Corbet scooped the showcase’s best-director prize for his more-than-three-and-a-half-hour-long epic The Brutalist, co-written with Fastvold, his partner in life and work. That victory took the pair all theContinue Reading