“I left without a penny to my name. I was bitter for a while, but I’ve got a great legacy”: Though Pete Quaife gets credit for jumpstarting the Kinks bass chair, John Dalton and Jim Rodford pushed the band forward on many of their classic albums

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From the powerful bass tone on 1964’s You Really Got Me to their last album, 1993’s Phobia, smart low-end was a key ingredient of the Kinks sound. And though Pete Quaife rightly gets credit for jumpstarting the bass chair on their first seven albums, John Dalton and Jim Rodford loggedContinue Reading