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Alejandro Motsinger

‘Lliving fossils’ nautilus and allonautilus shaped by depths and diets over 500 million years

‘Lliving fossils’ nautilus and allonautilus shaped by depths and diets over 500 million years

2026-04-05
By: Alejandro Motsinger
On: April 5, 2026
In: Science & Nature

🛡️ Just a quick check We’re checking your connection to prevent automated abuse Read MoreContinue Reading

‘This Is Big Unemployed Behaviour’: Overwatch Dev Roasts SteamDB Fanatics

‘This Is Big Unemployed Behaviour’: Overwatch Dev Roasts SteamDB Fanatics

2026-03-10
By: Alejandro Motsinger
On: March 10, 2026
In: Music & Entertainment

Image: Push Square A growing trend in hardcore gaming communities revolves around Steam concurrent player numbers. As one of the few publicly available measures of a game’s success (or lack thereof), we’ve seen the emphasis on them escalate in recent times. While they only track the number of people playingContinue Reading

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rel·a·tiv·i·ty /ˌreləˈtivədē/: the absence of standards of absolute and universal application. In other words, take everything with a grain of salt.

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“I found a 1968 Gibson on eBay and took a chance. The neck has snapped three times, but it’s still the best bass I’ve ever played”: How a battle-scarred vintage Gibson survived three broken necks to power a Mercury Prize-nominated jazz collective

“I found a 1968 Gibson on eBay and took a chance. The neck has snapped three times, but it’s still the best bass I’ve ever played”: How a battle-scarred vintage Gibson survived three broken necks to power a Mercury Prize-nominated jazz collective

By: Bong Buresh
On: August 20, 2026

(Image credit: Ellie Slorick) Shortlisted for the 2026 Mercury Prize, up-and-coming jazz

Chelsea Freeman Signs With The Team (Exclusive)

Chelsea Freeman Signs With The Team (Exclusive)

By: Etan Vlessing
On: August 20, 2026

Chelsea Freeman has signed with The Team for representation in all areas.

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“I found a 1968 Gibson on eBay and took a chance. The neck has snapped three times, but it’s still the best bass I’ve ever played”: How a battle-scarred vintage Gibson survived three broken necks to power a Mercury Prize-nominated jazz collective

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